Back in 2001 British DJs and sound engineers Henry Binns and Sam Hardaker created their first studio album called Simple Things under the moniker Zero 7. What makes Simple Things such a stellar album is its fantastic collection of downtempo, trip-hop songs that hypnotically lull you into a blissful zen-like state once hearing the album in full.
I am looking at last year's Moonchild album called Voyager. This album infuses a chilled out mixture of neo-soul, jazz, lounge, electronic, and funk. The spacey, jazzy arrangements on this record are filled with softly strung harp chords, smooth Rhodes licks, funky bass lines, and tight drum samples.
Last year's record A Social Call by 26 year old jazz vocalist Jazzmeia Horn earned Ms. Horn a grammy nomination. What make this album stand out from some of the other recent jazz releases is its crafty qualities of a musical melting pot of politics, religion, race, spirituality, shifting moods, and of course jazz.
Ben Williams's second full length album, "Coming of Age," was released in 2015 to pretty remarkable reviews from various jazz critics. Williams infuses elements of R&B/neo-soul, fusion, post-bop, funk, and hip-hop into his innovative compositions. The 31-year old Washington D.C. upright bass player, Ben Williams, sheds a new prominent voice in the rising jazz scene
On February 11, 1997, 21 years ago Erykah Badu fcreated an album that became the essential go to neo soul album of the 1990s. This album was called "Baduizm," and was very highly acclaimed when it was initially released, earning Ms. Badu a 3X platinum certification. Hailing from Dallas, Texas, Badu can be compared to [...]
In 2016, the Toronto jazz quartet BADBADNOTGOOD (BBNG) released an album called IV, blending the genres of hip-hop, jazz, and electronic all together into one incredible album. The album IV is most likely BBNG's most accessible album to date.
The way Guru describes "Jazzmatazz Vol. 1" is: "Jazz's mellow tracks, along with the hard rap beat, go hand-in-glove with my voice."
Already being sixteen years old, the album Waltz For Koop by the duo of Swedish electronic DJs known as "Koop" is a record that remains as fresh sounding since its initial release in 2001.
This album reflects the fact that jazz is still going strong almost a century after the famous "Roaring 20's." Jazz has always had a pushing the envelope kind of sound to it, and this is why the future of jazz is certain to exist.
My second album review is a late discovery of the 2016 Blue Note Grammy Award winning record, Take Me To The Alley by Gregory Porter. The Brooklyn, NYC resident delivers a remarkable album full of ballads and jazz tunes full of love and tribulations. Porter's voice is like a hot heater warming your body on a frigid winter's evening.